Lyncelia influences, article #4: First & Last & Always

The Sisters Of Mercy First & Last & Always

I remember the first time I listened to this album. It was several months after my entry in the Gothic Underground and I saw the name The Sisters of Mercy on each gothic party flyers in the list of music.

I was making my gothic culture to know it better, to feel it, to absorb it and at least to live it. I decided to download on the web this band’s albums for, at last, discover what was said a cult band according to all goth people (throughout the world).

I started by listening to the first one, “First & Last & Always” from 1985. The first song “Black Planet” didn’t impressed me, honestly it didn’t makes effects on me.

The second song “Walkaway” followed with its drum fill introduction, and it was a big blast!

The guitar sound, clear and powerful was perfect with the bass made me thrill. And the voice, what can we say about it? ultra low end voice giving a tragic side to their music.

The other songs followed up and I couldn’t escape my ears from these. “No time to cry” and its guitar riffs with chorus/Flanger effects, great sound entering in my head forever. In The Sisters of Mercy I found an echo to The Cure (at that time, Robert Smith got all my musical awareness).

“Marian” was my Goth music passion detonator, even today this song is still one of my favourite. I knew it in parties without knowing it was the Sisters. This song convinced me that I was listening to an album that will be important for me. A masterpiece.

Aerial guitars, powerful bass, a beating drum machine and a low end expressive voice. Both danceable, cold, dark but easy to listen.

After it, I knew that I wanted to play this kind of music. I was looking for a way to express all the melancholia I had deep down in me and The Sisters gave me the keys to this way.

I also found this feel in song “Nine While Nine” with its recognizable guitar riff (later inspiring me the main riff of “Persistence of Vision”).

Then the final song “Some Kind of Stranger” closing the album with a powerful song, all in melancholia and retained energy to explode at the end with the great voice of Andrew Eldritch.


I didn’t know where I was, I experienced an intense thing that it was hard to came back.

From this, I bought their entire discography that I listened and listened again.

This band remains en exception, often imitated, never equaled.

And you, what do you think about this album?

31/03/2009: First Lyncelia Concert

Lyncelia 10 Years concerts

10 years ago I was playing the very first Lyncelia show. A great experienced that changed my life.

10 years later, still on stage with Lyncelia (and some more weight…)

Between these 2 dates almost everything has changed except my passion for music and my faith for Gothic style. It’s not a fashion for us but a way of life.

Lyncelia 10 Years concerts

23/03/2019 Concert pictures online

Lyncelia Gibus 23/03/2019

We added some pictures of our last concert on our Gallery page. Videos are coming soon.

The concert was awesome, we had much pleasure for our return on stage. Yann was very anxious and nervous cause it was his first concert for years. Great venue, great sound and great audience.

We met lots of nice people and received lots of energy and congratulations. Received good reaction about our new songs from our upcoming album and we’re proud of this show and opening for Pink Turns Blue.

See you for our next concert in Paris on saturday 25 May @Concorde Atlantique opening the Secret Night Gothic Party.

Setlist 23/03/2019:

  1. Beloved (unreleased song)
  2. Self-Mystery Girl
  3. Lost – Anastasia
  4. Unbound Pleasure
  5. The Beauty of Doubt
  6. Lustful Feelings (unreleased song)
  7. Unveiled Illusion
  8. Diamonds

Lyncelia Gibus 23/03/2019

Lyncelia Gibus 23/03/2019

Lyncelia 23/03/2019

Lyncelia influences, article #3: Aegis

Theatre of Tragedy Aegis

Third article of this thread, today I talk about an album I do adore, this is “Aegis” from Theatre of Tragedy.

Important album cause this is with this one that I started to enter in the Gothic universe in 1998. At this time I only swear with Metal (and the Spice Girls!), I wasn’t fan of Gothic Music that my friends loved. It was too down-tempo or too repetitive until this album came out.

A friend of mine let me listen to this album. Without being convinced I put it on my cd desk. The album opens on the song “Cassandra”. From the very first note I’m hypnotized, the drum sound is awesome, clear and powerful (I love this Reverb), the piano very captivating and the 12 Strings guitars with arpeggios take me away. The singer comes with a low and clear voice that suits the music (the singer gave up with Metal grunts for a Sisters of Mercy like vocals).

Then on the middle of the song Liv Kristine starts to sing. And I’m blown away, lost in time and space.

Her clear voice with an extreme sweetness is so emotional, a real melancholy entering in my mind and soul to never came back out of it.

A mastered fragility, she reach each notes with a divine sweetness without failing. Her voice is crystal clear and perfect and she’ll never sing like that after this album.

From this day, Liv Kristine is one of my favourite female singer, her voice captivate me each time I listen to.

My work on adding female voices in Lyncelia came from that and I have the chance to have great singers in my family whose voices are like Liv Kristine’s one. I couldn’t dream better.

“Lorelei” with its upper tempo is a Gothic-Rock / Gothic-Metal Hit, they made the perfect synthesis of these 2 genres. Back on melancholic sensuality with the great “Angélique” with its acoustic guitars and arpeggios. Perfect match with “Aoede” and its 2 voices chorus. “Siren” and “Venus” make no doubt, Liv Kristine lead this album from start to end with her crystal clear voice.

All in this album is perfect, each notes are justified. Nothing unwanted, all is necessary. No demonstrations, just emotions. Male voice and female voice suits well in a perfect chord on Shakespearian Beauty lyrics with lots of old English.

This album is apart from their discography, their was a before in Doom-Metal and an after in Electro-Metal. They never managed to find this perfection and the feeling of this album more Gothic than Metal. A Masterpiece. Thank you Theatre of Tragedy.

And you, what inspire you this album?

Lyncelia Influences, article #2: Pornography

Second article for this series of the most influent albums for Lyncelia, today I talk about this album that left nobody safe. It’s “Pornography” by The Cure released in 1982.

After using the old “Seventeen Seconds” cassette during summer 2003, I came back and go to the first record store to buy it as CD. This day, my father said “This album, I don’t know it, but I heard it’s a strong one” by pointing his finger on “Pornography”.

I came back with two CDs of this band I’m interested in.

My vision of music has changed with the famous “Seventeen seconds” but I didn’t know that my entire life was about to change so quickly when I put for the first time the album “Pornography” on my CD player.

I didn’t know what was about this album, nor foresee the thrashing beat I was about to have.

The CD player is closing and I press Play. And “One Hundred Years” sounds.

A strange beat of drum machine then guitars came with very dark chords playing on minor second (I better knew in Black Metal) threw me on the walls. I never heard this!

And the voice of Robert Smith, dark, powerful and desperate. Haunted with feelings I knew.

This song could speak about the entire album: Despair, uneasiness

Je ne savais pas du tout à quoi m’attendre, ni même envisagé l’énorme claque que j’allais prendre.

I never felt a so emotional power.

“A short term effect” start on more traditional thing for me, a simple drum beat, a rounding bass and guitars enhancing the voice. But there was a weird thing, something hidden. There is lots of dissonant guitars introducing some sickness to this song. It could be a pleasing song but now it became more difficult to hear with all these dissonances.

The album follows an ascension in despair with the song “Siamese Twins”. Down tempo song, hypnotising me at the first notes full of melacholia. How a melody could translate so well what I felt deep in me since few years. This melancholia blow me, at last I accept it.

Then comes for me the Climax of the album, its higher top in two words: “The Figurehead”.

After the melacholia of “Siamese Twins” we come on the despair of “The Figurehead”. For me, these two songs are unsplitable.

“The Figurehead” upset me the most. I will never be the same after this song. All is despair, the bass (sober and catchy), minor guitar chords, its cold and dark melody that fills my body and soul even today. The best song of the best album of The Cure, they’ll never do a better song, and NOBODY could never do better than this song.

Then follow the great “A strange day” and “Cold” that confirms that this album is a pure masterpiece for whom who have the strength to go down introspective obscurity risking to never come back.

I don’t really appreciate the song “Pornography” even if lots of person consider it as an apocalyptic ending, for me there is not the same strength as “The Figurehead”, “Siamese Twins” or “One Hundred Years”.

This album is a great album I still listen with the same pleasure.

From this first lestening, my life has completely changed, I go down the Gothic music Obscurity that push me inside the Gothic underground.

The Cure with “Pornography” gave me a different music that fits me perfectly.

At this time I was fed up with Metal Music and Metalheads, Gothic Music was a salvation, a fresh air. The Gothic Underground were a place where I could be myself with people like me.

And you, what gives you “Pornography”?


New Badges available on our shop

Lyncelia Logo 2019 Badges

New Merchandising now available on our shop page.

32mm badges with the Lyncelia Logo 2019 print. Only 2€ + Shipping costs (1,5 € for France and Europe). Includes a FREE Sticker (until out of stock).

It’s the ultimate and perfect fashion accessory to perfect your look. Sober, discreet and classy, a must have for your leather jacket or to give you the perfect Rock N Roll touch on your outfits.

Order directly on


Lyncelia Logo 2019 Badges

Lyncelia Influences, article #1: Seventeen Seconds

The Cure Seventeen Seconds

I open this new serie of article on the album that directly or undirectly influenced Lyncelia.

I start with this one, “Seventeen Seconds” by The Cure.

The Cure Seventeen Seconds

The starting point is here, summer 2003, my father gives me an audio cassette saying “Hey, at last I found my old Cure cassette”. I didn’t know that my live was about to change.

It’s been 2 years that I played on stage with my previous Metal band with this cool The Cure shirt, it was in my drawer since the end of the 80’s. It was the property of my cousin deceased in 1988, I wore it in memory of him.

My father told me “I must find my Cure cassette to make you listen to”. I was interested cause I wanted to know what my cousin was into to get closer from his memory that haunts me.

Back to summer 2003,

I put this cassette in my walkman plugged in little portative speaker to listen to it in the shower. The intro “A Reflection” sounds, the chords both clear and mysterious have an interesting effect. Then comes “Play for today” with its up tempo. I don’t understand what I hear.

What music is it? What kind is it?

How could you make a fast and rock song with no distortion?

This is what stayed in my mind during few weeks. I listen again and again to try to understand something. It seems both simple to listen but hard to understand. As if the hermetism let foresee some lights behind.

The sound, both clear and aerials takes me higher on each listening. Since that, I always was in search of this sound.

I heard some melancholia hidden behind this pure naked sound and catchy gimmicks.

And the bass parts, never I could thought that bass could be so important. Coming from Metal, the bass is always on background.

I was still wondering what kind of music it could be. Is it Rock? Pop? Jazz?! Nothing of these, it’s another kind. Later I read that it’s ColdWave. What? Coldwhat? ColdWave? What’s this name coming from nowhere…

Wave for the new wave style, Cold for the sound. It’s coherent.

From this time my life is not the same, my meaning to the music has changed. My state of mind changed, I’ve found the soundtrack of my new life.

I’ll never fed up to listen to this album (even today after 15 years of listening). A song like “At night” makes me thrill each time, and say that melancholy is the quintessence of beauty and nothing and nobody could do better than this song.

After this summer, I came back home and the first thing I done was to go to the first record store to buy this album and this day my father told me “This album, I don’t know it, but it seems that its a very intense one” pointing on “Pornography”.

I came back with the 2 albums.

And again my life was about to change, but this time in the gothic obscurity of “Pornography”.

Opening act for Pink Turns Blue in Paris

Lyncelia Pink Turns Blue

Our next concert will be the opening act for Pink Turns Blue in Paris (FR) on saturday 23rd March 2019 @Gibus Live.

We’re very excited to be back on stage with our new formation and with new songs as opening act for this legendary band in this legendary venue.


Lyncelia Pink Turns Blue


Christmas FREE Bonus tracks

Lyncelia Anthology 2008-2018 Cover

As it’s the period of gift, we offer you 3 bonus tracks on FREE Download exclusively on

Download on

Our “Anthology 2008-2018” shouldn’t be complete without the covers we made throughout these 10 Years. You can find for the first time on Download our covers of “Sorry Angel” (from the french artist Serge Gainsbourg), “L’aventurier” (from french band Indochine) and the very last one “The Figurehead” from The Cure.

Merry Christmas!

Don’t forget to like, share and follow us on social networks.

Lyncelia 10 Years, article #12: “Self-Mystery Girl”

For this last post, I had to end on our latest releases. First of all, I want to thank you for your support et to read this series of article every months to celebrate our 10th anniversary.

Today I will talk about “Self-Mystery Girl” and “The Beauty of Doubt”.

I start with “Self-Mystery Girl”, it’s a song I started to write in november 2013 (I was working on completing “Unbound Pleasure”). I found the principal lead on bass. I transposed it quickly for guitars cause it’s a melodic lead that must be on the foreground.

The song comes easily and was the first post Forsaken Innocence song written and completed in 2014. I still feel a little strange when I see that there is 3 or 4 years between the writing and the releasing.

For this song I wanted to came back on my coldwave roots, that’s why I choose a clean fender sound with Flanger effects (for more detail on sound of this song, I wrote an article here).

For the video, I had in mind a black/White video, exactly the contrast of the previous videos in colors. As this song has a new wave feel, we wore tie and black shirt to outlined this detail. Of course Isabelle our model add the feminine side, sexy and sensual that fits this song and what about are the lyrics of the new songs. After forsaking Innocence and hope, Lyncelia assume her sensuality and seduction.


About “The Beauty of Doubt”, the idea was to release a completely different song from “Self-Mystery Girl”.

More melancholic and darker, “The Beauty of Doubt” develop an almost Doom feeling influenced by bands like My Dying Bride and Theatre of Tragedy.

I wrote this song in May 2016, on a day I felt very lonely and missing my beloved. One of my fears is to be abandoned again, I developed this idea of missing and of doubt.

For the sound, I used my Gibson SG with overdrive pedal to have a heavier sound on this downtempo. Female voices were added at the last moment, right after the recording session.

I wanted something very strong for the end of the song. We worked on these voices with 2 sessions, the first one to try some ideas and the second to record the final voices tracks. Amélie have the talent to make her voice fitting our music at the perfect pitch with her lyrical voice adding the tragic feel I wanted to have.

The photoshoot for the lyrics video was done in summer 2018, I wanted a very sensual image but still melancholic to translate the doubt and despair of the lyrics. Isabelle managed to translate it perfectly as close as the lyrics.